My art is an invitation to dive. It's the pause - suspension. It's a place - access. It is the music sung by silence - the musical background of my thoughts.

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Diving into my mind frees the cloistered breathing of everyday life. Breathe. Spontaneity submerges, teaching the choreography of life: the courageous acceptance of what one can or cannot control. The air I find when I emerge sighs in my ears: good future. Forms are created, paths are personified and assimilate errors, find gaps and invite action. The movement begins. Follow to the limit of courage. To stop. Support. And continue: the only requirement of life. The lines trap the notion of error, what was once a labyrinth becomes an opening. What was once random becomes harmony. It is from silence that music is composed. It is from diving that you breathe.

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Renata Ludwig's practice is the result of years of self-taught research into complex themes of immersion through the unconscious. Through the study of perspective, shapes and volumes, Renata, instead of yearning for answers, wants to reach new questions. In contemporary times where the exclamation mark is the rule, the question becomes revolutionary.

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Through Parque Lage, he found the device of his creative freedom in technique. The search for the texture of what is invisible; the concreteness of subjectivity; the meeting point between contrasts and harmony between opposites.

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Faithful anthropophagy is nourished by Klimt, Escher, Paula Rego and Northeastern ceramics. Abstract art can be more realistic than the very name that designates it as such. What would reality be if not the projection of our inner world?

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His art is more a place to be than something to see. The place that allows the freedom of thoughts: the movement only begins when the thought ends. Let the delivery be present. Good becoming.

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